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The festival, in Japanese

The Jazz Life Japanese magazine devoted its last issue in a comprehensive report to the last jazz festival in Barcelona. Takehiko Tokiwa, its correspondent in New York, signed texts and photos that illustrate the article.

If you read Japanese, here's a good chance to play it ...

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Swing, Swing, Swing!

By Richard Gili

Without wishing to magnify their importance, the success of public musical concert Swing, Swing, Swing December 2 last Thursday which was closed on 42nd Voll-Damm Barcelona International Jazz Festival to draw some conclusions immediate and significant .

First, it is clear that the direction and organization of the festival is considered a classic jazz concert featuring musicians of the country may be a proposal attractive enough and worthy closed a festival of the category del de Barcelona. Ens en felicitem! I, a més, com a president de la Fundació Privada Catalana Jazz Clàssic, entitat impulsora d’aquest concert, vull agrair la receptivitat dels responsables del festival a acceptar la nostra proposta i manifestar l’esperança que en futures edicions aquesta bona entesa segueixi donant els seus fruits.

En segon lloc, l’esdeveniment en si va resultar una lliçó teòrica i pràctica per a molts. 

Theoretical discourse because disproving the old we have heard many times that says Music (with) Swing corresponds to a time and context already passed and that the present generations, musicians and audience, are the other thing, the stage presence of young members of St. Andrew Jazz Band on one hand and supporting a massive audience of all ages the other was the confirmation of the validity in our house (and around the world) of this music that many had given extinct.

Lesson also practical, because what we heard on the stage of the Palau de la Musica was a time in many jazz played with total conviction, and genuine technical correction creativity in a number of soloists, regardless of their age.

All this comes to show that, overall, the bands and musicians of this style in this country of ours, are to some enviable levels, perhaps never achieved im'estic referring mainly to the Barcelona Jazz Orchestra.

Finally, from my personal perspective as a musician in the orchestra more veteran, La Locomotive Black, I note with satisfaction that the string could appear at some point would come with us, and has continued with new solid rings that ensure a long future in the music we love.

Below the daily faramalla deafen us, the great crack that amplify the media, the cultural myths that fill the shop windows and hijack our attention, as the achievements made to pure economic investments, below this, know that there is a solid chain of people who believe in a style of music or a particular art form and try to keep it alive for the enjoyment of many, we see that , fortunately, culture also has other tempos and other routes, quieter, subtle and barely visible, but in the long run, perhaps more efficient. I know this is comforting.

Long live the music (with) Swing!

(All photos from the concert are Richard Cugat.)

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Missing Barcelona

Chucho Valdes Afro-Cuban and The Messengers, at the Palace of Catalan Music in Barcelona (photo: Lorenzo di Nozzi)

By Larry Blumenfeld (Arts Journal)

've been back from Barcelona for more than a week, but it seems like yesterday.

if Barcelona is one of the world's most alluring cities - and it is - its Voll-Damm International Jazz Festival Must be Counted as one of the world's most distinctive and complete jazz events.

The audacious architectural achievements of Gaudí, the searching experimentalism of early works at the Picasso Museum, and the unexpected culinary inventions (what, for instance, Catalan chef Isma Prados can do with tomatoes, strawberries, and sardines) all figure into a novel context for great and adventurous music, and for concert-going in general. The "tenderness sutras," as he calls them, offered by saxophonist Charles Lloyd and his terrific quartet seemed especially radiant there, and both the intimacy and the ostentation of Cuban pianist Chucho Valdés's music were perfectly matched by his setting, the Palau de Música. Not to mention the graciousness of artistic director Joan Anton Cararach, to form music critic Himself, His exceedingly lovely wife, Doan Manfugas, Whose deeply felt ideas about music owe to her early training in Havana's finest conservatories, and the soft General Director Tito Ramos, Whose dream of a cultural event linking historical Both with New York City and Rio de Janeiro Seems just crazy enough to work.

(To read more, click here )

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Buika, the last drop of 2010

Buika closed yesterday at the Palau de la Música tour The last drink during this year has led to half the planet, especially the U.S., where Majorcan singer landed in October creating a seismic movement that is still spoken.

For the concert last night also Buika gave prominence to a well-known for her opening act, Melon Ivan Lewis, who was able to present their latest album, Crossing (here is the critical All who dedicated About Jazz), before a packed Palau.

Fins l'any que ve, Concha ...

(Photo by Marc Romaguera )

Color Spots On Bottom Of Beers

For story: Omar Sosa made his debut at the Palau

Omar Sosa yesterday during the imaging tests for channel Mezzo.

historic night for the jazz festival yesterday at the Palau, with Omar Sosa and the NDR Big Band, directed by Jaques Morelenbaum. It was the world premiere of Ceremony, curiously the project took its first steps in 2006, at a meeting in Barcelona of Sosa's home attended by Morelenbaum and Stefan Gerdes, producer of the NDR, which culminated ago in Palau with the assistance of all the concert, included in 38 Voll-Damm Festival Internacional de Jazz de Barcelona, \u200b\u200bBebo Valdes and Javier Colina. World premiere until yesterday it never had been able to interpret the original music under the direction Sosa of the arranger, Morelenbaum. (For more information, it is advisable that interview with Joshua Jackson Sosa made two weeks before his memorable night yesterday.)

Jaques Morelenbaum, Mark Iluka, Childo Thomas, Horacio The Black and Omar Sosa, after the concert.

This was the last night of the concert repertoire, recorded by the television channel Mezzo, which issued in the first quarter of 2011 and whose team of almost 20 people gave a lesson in how it recorded spectacular a concert. Arriving


Elegba
Chango in Esmeraldas

Monkurú

Danzon your eyes water
Yemayá
long

Cha with marimba

Light in the sky

Wow


My tradition
*************
***** Prelude and Output
Elegba

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All About Jazz, Italy i anglès

d'

All About Two Journalists Jazz Escriu on the jazz festival. Angelo Leonardi The first is that a dens proposé article about the week he spent in Barcelona as a special envoy of All About Jazz Italia, from Charles Lloyd to JD Allen passing the complementary actions of the festival. And the second is João Moreira Santos, making chronicle of three concerts by the mother's version, in English, All About Jazz.

Photography Richard Galliano and JD Allen: Lorenzo di Nozzi.

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Omar Sosa 'La Vanguardia'

The cover of today's La Vanguardia proposes a very personal interview with the Cuban pianist Omar settled in Barcelona Sosa. Signed by Ima Sanchis, in the interview Sosa spoke in general about his career and his poetry not only musical, but vital. Sosa

debuts tomorrow in Palau with a concert that includes the participation of the NDR Big Band (especially coming from Hamburg) and the direction of Jacques Morelenbaum, arranger disc also the result of joint work between them, Ceremony. As a guest, Sosa has the support of drummer Horacio Hernandez The Black , star this weekend festival with two concerts and masterclasses in Mataró l'Hospitalet.

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Jamie Cullum: Barcelona's set list

Just One Of Those Things Get Your
All At Sea Way

If I Ruled The World
Next Year Baby 20 Something

Do not Stop The Music
If I Only Had A Brain (solo) High & Dry

Caravan (in audience) These Are The

Days Now I'm All Over It Mix Tape

------------------------------------- Wind Cries Mary
------------------------
Gran Torino

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In concert Jaques Morelenbaum

The cellist and arranger Jaques Morelenbaum is from Thursday in Barcelona, \u200b\u200bafter a week of trials in Hamburg with the NDR Big Band and the Omar Sosa Quartet. Musician passionate about music (like a truism, but it is not), Morelenbaum attended last Friday in the Palau to the display of Jamie Cullum and double concert Saturday at the Teatre Joventut de l'Hospitalet Ivan Melon Lewis and Horacio Hernandez The Black Italuba. Given the particular affinity between the Cuban and Brazilian cultures, musicians and the Melon Black did not hesitate to question Morelenbaum about their experiences with musicians such as Antonio Carlos Jobim (with whom he played 10 years until his death), Caetano Veloso ( 14 years together) and Gilberto Gil (a collaboration still active). Both

pianist (Melon) and drummer (The Black) back this week to Barcelona, \u200b\u200bthe first Buika as a musician and also to open their concert at the Palau presenting his first album as leader, Cruise (Wednesday, December 1), the second special guest Omar Sosa for his anticipated debut at the Palau, performing ( world premiere) the spectacular Morelenbaum wrote arrangements for big band from the work of Sosa (Tuesday, November 30). Sosa's concert will be recorded also by the television channel Mezzo.

Rubbing Cocaine In Gums

with Jamie Cullum, Palau de la Musica Catalana

(All photos by Ricard Cugat)

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RIDDLE



This photo was made in the light spring in Las Palmas. Not much as photo quality, but could have been good. Two men, futuristic unknowingly repair the boat. See you soon.

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The 'blindfold test & winefold' Chucho Valdés Monvínic

journalist Dan Ouellette Down Beat has returned this week to Barcelona to its second blindfold test in public, with Chucho Valdes as a guest. New this year was not only the seat, Monvínic, but also the fact that the music chosen by Ouellette would be accompanied by a wine pairing chosen with skill and impeccable musical sensibility César Cánovas, Monvínic sommelier.

Here are two photographic evidence of a single afternoon in the company of one of the musical geniuses of our time, Chucho Valdés.

(Photos: Marc Romaguera)

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RIDDLE

is not a mirage or a mirror is not a puddle
the world upside down inside
not bright silver or dark silky and polished to reflect not the curtains
the night fell heavy on the lid

undecided but perhaps soon between the barbarian roar of the motorway (background not heard) the song of birds suddenly aware playful
ear or maybe a smile at seeing the human form of the corkscrew with arms raised

is speechless anxiety in the stomach
unloading trucks of memories is not upset when everything is wrinkled when it bites clothing

when everything gets lost at the wrong rate and the waves break us in the face and flies into the mouth we

is perhaps a desire to quiet flowing venture beyond the predictable spiral navel

suspicion even in
dark wet in the territory where it develops seeds intact
dancer preparing to dance by invisible strings as the route of a butterfly
as the graph plots the intensity of Sighs over time
beyond music metal hammers ominously predictable
beyond bureaucratic syntax wears senses

inseparably at least three are blended here:

I sense a sweet heat flavor color sound or any of the many open to the enigma
apparently secured the pain felt in fear of passion burning glare or any emotion that shakes, breaks, open the enigma half hidden behind a mustache
normalized standard language in the sense glimpses of understanding that we put, for convenience, in a hilly area or roof
where on summer nights you can see stars as big as fists

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secret connections




Some streets of Las Palmas have

under certain weather conditions the quality of
suddenly take on certain streets of Madrid in the sixties .

And I'm like a ghost
two cities like sleepwalking through my reflection in the windows amazed

tapeworms exhibited goods.

I do not know if
leaves the shadows of the leaves on the sidewalk
lattices
living, breathing and wait.

not know-is-a reflection that trembles


movement
summer scent
call for fresh content
is the light of a square in the center

gentle flowing and dazzling
from an unseen source.

A secret spring.

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Love is the balance between 3 vertices, Friendship --- --- passionate commitment
And I wondered .... "Q" occurs when running a single vertex, two or all three, and q 'occurs when q is two and placed either in the first place?
Love: Can we love without being happy can one be happy without love, but love and be happy is something wonderful (Balzac).
Love is the answer, but while you pending, sex raises some questions he W Allen.
Marriage / commitment: The trouble with love is that many confuse it with gastritis and, when cured of the ailment, they find they have married. (Groucho)
I married by the court. Should have asked for a jury.
"I would wash a couple of, socks? (...) It is my way of saying that I love, nothing more.
Friendship: Remember we are fighting for the honor of this woman, probably more than she ever did for themselves (Groucho).
Passion / Powder:
Sex without love is an empty experience. But as empty experiences is one of the best. W. Allen
sex only is messy if done right. W. Allen
Powder / passion
Your eyes, your throat, your lips ... Everything about you reminds me of you except yourself. (Groucho)
never forget a face, but you'll make an exception. (Groucho Marx)
There are only two important things in life. The first is sex and the second I do not remember (W Allen).
Do not look well and with whom (W. Allen)

Love, Commitment: Why and how did you come to have twenty children in your marriage? - I love my husband. - I also love my cigar, but occasionally I take it out of the mouth (Groucho)
Passion-friendliness: Do not think badly of me, miss. My interest you is purely sexual. Amistad
commitment: The friends you have and whose friendship has been tested and / clip onto your soul with hooks of steel (Shakespeare).
The true friend is someone who, despite knowing how you will want.
What makes unbreakable friendships and doubles its charm, is a feeling that he lacks the love, the certainty (Balzac).
Friendship is like mayonnaise: it takes an egg and there is no q q cut deal (W Allen)
Friendship, passion (more bloody) Love is the beginning of life power, passion enables your stay. The Argentine
, friendship is a passion and a mafia police (Borges).
Passion, Friendship-min. commitment (P ... mother): Oh! I will never forget the day I married this woman ... I threw vitamin pills instead of rice (Groucho).
PD: My way of joking is telling the truth. It's the funniest joke

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About

But wishful thinking is true that we are the main obstacle that prevents us from seeing.

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HIpoclitoridismo

- But then what makes you touch you endocrine clitoris or what?

- Sure, says Hippy .- A new technique.

Fotoladymatón eyes wide open.

- But what has to do with the endocrine clitoris?

- It seems that there are connections ...

- pussy ... I think it's not thinned by hypothyroidism and now it is for the clitoris and I have to fuck more surprised he adds

- is that sex is life, is healthy, "says Ico.

- Well, I have an appointment with the endocrine and I never checked the clitoris. But give me the phone.

- Yes, Hippy says with laughter.

- Oh god, and I do n learn, "says photo lady-killer but what touches your clitoris?. I can not believe," he says looking at all- She sends touch the clitoris and me pads 125.

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the four legs of the reality

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Enterprising Ideas



I moved away from this blog for some time, really I have many things to do and I could not get the time needed by the blog to write my experiences with the quality they deserve.

Well, in the twists of fate, I had the opportunity to support three times the Enterprising Ideas competition, which in basic terms is a business incubator model, where a large number of entrepreneurs present their projects and better developed the prize money will support the venture. My comment is directed to show that in Bolivia there are significant opportunities for the development of productive projects with ingredients competitive requirements, among which we see sustainability, quality and social impact. I've had in this very satisfying experience, seeing people who are willing to gamble on the future of the country from their businesses, looking to improve their quality of life and that of others within the regions, with proposals ranging from production of natural jams of exotic products from the Bolivian Amazon, to garment machines or automated wood carving, which are built with a high component of discarded vehicle parts. Since creativity and ingenuity of the people it is coming in this type of activity, based on their own experiences and items available your environment, you can create companies that have strategic value in economic activities in different regions.

One of the biggest surprises I had in the first period was to find one of my marketing students prepared to run your enterprise, based on work done in the strategic marketing program.

As I said in the article this month in the Quallity Magazinne in Latin America must commit to the creation of companies with differential element for the global market, based on cultural aspects unique to each country, developing these products that only found on our continent, such as the Cape gooseberry, quinoa, amaranth, potatoes, but with high added value. I do change the model you see in coffee production in Colombia, where today it is offering a coffee house, offers an exotic flavor of a specific region of our geographic Colombia, giving a value to the social impact and the contribution that has within the local economy.

The success of our countries in the globalized world market is to find that combination of issues that in other continents no, they do not have our products do not have our ancestral and cultural roots, they have the taste of our land, which will implicit in every agricultural product that we export. But above all, do not have the human talent resources and creativity, that each element sees an opportunity to make a business, a business and a difference.