Friday, December 24, 2010

Why Dental Hygiene Personal Statement

The festival, in Japanese

The Jazz Life Japanese magazine devoted its last issue in a comprehensive report to the last jazz festival in Barcelona. Takehiko Tokiwa, its correspondent in New York, signed texts and photos that illustrate the article.

If you read Japanese, here's a good chance to play it ...




Thursday, December 9, 2010

Anime With Ecchi And Harem

Swing, Swing, Swing!


By Richard Gili

Without wishing to magnify their importance, the success of public musical concert Swing, Swing, Swing December 2 last Thursday which was closed on 42nd Voll-Damm Barcelona International Jazz Festival to draw some conclusions immediate and significant .

First, it is clear that the direction and organization of the festival is considered a classic jazz concert featuring musicians of the country may be a proposal attractive enough and worthy closed a festival of the category del de Barcelona. Ens en felicitem! I, a més, com a president de la Fundació Privada Catalana Jazz Clàssic, entitat impulsora d’aquest concert, vull agrair la receptivitat dels responsables del festival a acceptar la nostra proposta i manifestar l’esperança que en futures edicions aquesta bona entesa segueixi donant els seus fruits.

En segon lloc, l’esdeveniment en si va resultar una lliçó teòrica i pràctica per a molts. 


Theoretical discourse because disproving the old we have heard many times that says Music (with) Swing corresponds to a time and context already passed and that the present generations, musicians and audience, are the other thing, the stage presence of young members of St. Andrew Jazz Band on one hand and supporting a massive audience of all ages the other was the confirmation of the validity in our house (and around the world) of this music that many had given extinct.

Lesson also practical, because what we heard on the stage of the Palau de la Musica was a time in many jazz played with total conviction, and genuine technical correction creativity in a number of soloists, regardless of their age.

All this comes to show that, overall, the bands and musicians of this style in this country of ours, are to some enviable levels, perhaps never achieved im'estic referring mainly to the Barcelona Jazz Orchestra.


Finally, from my personal perspective as a musician in the orchestra more veteran, La Locomotive Black, I note with satisfaction that the string could appear at some point would come with us, and has continued with new solid rings that ensure a long future in the music we love.

Below the daily faramalla deafen us, the great crack that amplify the media, the cultural myths that fill the shop windows and hijack our attention, as the achievements made to pure economic investments, below this, know that there is a solid chain of people who believe in a style of music or a particular art form and try to keep it alive for the enjoyment of many, we see that , fortunately, culture also has other tempos and other routes, quieter, subtle and barely visible, but in the long run, perhaps more efficient. I know this is comforting.

Long live the music (with) Swing!

(All photos from the concert are Richard Cugat.)











Friday, December 3, 2010

Were To Get Chequred Metal Cores

Missing Barcelona

Chucho Valdes Afro-Cuban and The Messengers, at the Palace of Catalan Music in Barcelona (photo: Lorenzo di Nozzi)


By Larry Blumenfeld (Arts Journal)

've been back from Barcelona for more than a week, but it seems like yesterday.

if Barcelona is one of the world's most alluring cities - and it is - its Voll-Damm International Jazz Festival Must be Counted as one of the world's most distinctive and complete jazz events.

The audacious architectural achievements of Gaudí, the searching experimentalism of early works at the Picasso Museum, and the unexpected culinary inventions (what, for instance, Catalan chef Isma Prados can do with tomatoes, strawberries, and sardines) all figure into a novel context for great and adventurous music, and for concert-going in general. The "tenderness sutras," as he calls them, offered by saxophonist Charles Lloyd and his terrific quartet seemed especially radiant there, and both the intimacy and the ostentation of Cuban pianist Chucho Valdés's music were perfectly matched by his setting, the Palau de Música. Not to mention the graciousness of artistic director Joan Anton Cararach, to form music critic Himself, His exceedingly lovely wife, Doan Manfugas, Whose deeply felt ideas about music owe to her early training in Havana's finest conservatories, and the soft General Director Tito Ramos, Whose dream of a cultural event linking historical Both with New York City and Rio de Janeiro Seems just crazy enough to work.

(To read more, click here )

Thursday, December 2, 2010

Side Effect Of Repellents

Buika, the last drop of 2010


Buika closed yesterday at the Palau de la Música tour The last drink during this year has led to half the planet, especially the U.S., where Majorcan singer landed in October creating a seismic movement that is still spoken.

For the concert last night also Buika gave prominence to a well-known for her opening act, Melon Ivan Lewis, who was able to present their latest album, Crossing (here is the critical All who dedicated About Jazz), before a packed Palau.

Fins l'any que ve, Concha ...

(Photo by Marc Romaguera )


Wednesday, December 1, 2010

Color Spots On Bottom Of Beers

For story: Omar Sosa made his debut at the Palau

Omar Sosa yesterday during the imaging tests for channel Mezzo.


historic night for the jazz festival yesterday at the Palau, with Omar Sosa and the NDR Big Band, directed by Jaques Morelenbaum. It was the world premiere of Ceremony, curiously the project took its first steps in 2006, at a meeting in Barcelona of Sosa's home attended by Morelenbaum and Stefan Gerdes, producer of the NDR, which culminated ago in Palau with the assistance of all the concert, included in 38 Voll-Damm Festival Internacional de Jazz de Barcelona, \u200b\u200bBebo Valdes and Javier Colina. World premiere until yesterday it never had been able to interpret the original music under the direction Sosa of the arranger, Morelenbaum. (For more information, it is advisable that interview with Joshua Jackson Sosa made two weeks before his memorable night yesterday.)

Jaques Morelenbaum, Mark Iluka, Childo Thomas, Horacio The Black and Omar Sosa, after the concert.


This was the last night of the concert repertoire, recorded by the television channel Mezzo, which issued in the first quarter of 2011 and whose team of almost 20 people gave a lesson in how it recorded spectacular a concert. Arriving


Elegba
Chango in Esmeraldas

Monkurú

Danzon your eyes water
Yemayá
long

Cha with marimba

Light in the sky

Wow


My tradition
*************
***** Prelude and Output
Elegba